Sol Acting Blog
TIPS FOR AUDITIONING FOR A MUSICAL
Compliments of New Line Theatre.com
(compiled from dozens of directors, casting agents, and other theatre professionals)
If at all possible, get to know the show for which you’re auditioning. Find the script and read it. Find the cast album and listen to it. That isn’t possible all the time, but it is possible most of the time.
Read the audition notice carefully. What do you have to prepare? What should you be ready to do? Should you wear dance clothes or shoes? If they ask you to prepare an old-fashioned show tune, don’t bring a song from Rent because you think you’ll sound better. Maybe they’ll think you sound great and maybe they’ll think you’re a jerk who can’t read. If you don’t understand something, call and ask. But don’t call just to call — make sure you have a legitimate question. And bring a pen.
Bring a good photo if at all possible; it’ll help them remember you. If you bring a photo, don’t bring one in costume (it’ll make it harder for the director to see you in this role) or a wedding or prom photo. It’s better not to have a photo. (Except for an Equity audition, when it’s required.)
If you don’t know a word in a monologue or song you’re preparing, look it up. There are few things worse than mispronouncing a word in an audition and making it clear you don’t know what you’re saying. Make sure you’re pronouncing any foreign words correctly. Also, make sure you understand the context of any song or monologue you’re doing. Singing a sad song cheerfully just because you heard Frank Sinatra do it that way is a sign to the director that you’re lazy and you don’t do your homework.
Don’t forget to proofread your resume. Nothing looks tackier than misspelling the name of a character you played or a show you were in (check the program or cast album if you’re not sure). And don’t pad your resume with fictional credits — some directors may check with other companies to verify credentials and to see what working with you was like. Actors are not immune to the reality that their reputations will follow them; the same is true for musicians, technicians, etc.
Preparing Material
Choose a song you know and love. Don’t decide two days before the audition that you’re going to learn a new song. If you don’t know any songs, learn a few right now and sing them all the time, so that the next time an audition rolls around, you’ll already know the song well. The same applies to monologues.
Some auditions will only let you sing 16 or 32 bars, but many directors want to hear a whole song (which is the case with New Line). Still, don’t choose a really long song, or if you do, only perform part of it. The same goes for monologues, unless a specific length is mentioned in the audition notice.
It’s okay a cut a song down to make it shorter, but never change the melody line or lyric of a theatre song. The director or music director probably knows the song and they may decide that you don’t respect the material. Don’t add a high note at the end if it’s not there. Don’t add jazz riffs to show how well you sing jazz. Sing what’s on the page. (The same may not apply to non-theatre songs.)
Don’t plan to sing a cappella. Don’t plan to sing with an accompaniment tape.
Choose a song that’s appropriate for your personality. A sixteen year old girl should not sing “Hey Big Spender” or “Love for Sale.” A middle-aged man or woman should not sing something from Rent. Singing a song that is obviously inappropriate for you may work in a concert or revue, but in an audition it will just be distracting and take the director’s focus away from your voice and your presence.
Stay away from show tune chestnuts like “Tomorrow,” “What I Did for Love,” “This is the Moment,” etc., and as a general rule, avoid hit shows written in the last few years. A director is listening to so many people sing that he or she will remember the person who sang the lesser known song more than the twelve people who sang the same song from The Scarlet Pimpernel. The same applies to monologues — for God’s sake, don’t use Neil Simon.
Don’t choose a song to show off your range. Choose a song that will make you sound your very best. If you have a good voice and you’re what the director is looking for, they’ll test your range. Show-off pieces are not appropriate for an audition.
Have your music clearly marked where you want the accompanist to start and stop, and DO NOT hand the accompanist several loose sheets of paper. Either tape the sheets together accordion-style (if there are four pages or fewer), or put them in a binder, preferably in protective plastic sheets. If you’re using a published book of music, don’t give that book to the pianist unless you’re positive it’s going to lie flat on his/her music stand. Tell the pianist exactly what you want him or her to do, where to start, where to end, how fast to play. A great way to communicate your perfect tempo to the accompanist is to quietly sing the first line or so. And don’t expect them to “fake” an ending for you; make sure what’s on the page is what you want.
DO NOT hand the piano player a “lead sheet” (this is music with only the vocal line and chord symbols, but no piano part). Jazz musicians use lead sheets; theatre musicians don’t. Some piano players can play from a lead sheet, but many cannot. And don’t hand him or her a photocopy of music from a chorus book, with only melody and no piano part (you’d be amazed how many people do this). There’s no point in sabotaging your own audition…
Make sure you’ve run over your song with a pianist before the audition. Too many performers learn a song from the cast album, then go out and buy sheet music. When they get to the audition and the accompanist starts playing, they discover – too late – that it’s a very different arrangement in a different key, with a different intro, a different ending, etc. A sure recipe for disaster.
Don’t choose a rock song unless you’ve heard it and rehearsed it with solo piano. Most rock songs (songs from Rent, Tommy, Top 40 songs, etc.) don’t sound very good on solo piano.
Don’t choose a song with a really difficult accompaniment. You never know what kind of pianist will be at the audition. They could be great or they could be barely competent. If you give them music that is beyond their capabilities, it will ruin your audition. Also avoid hard-to-play keys — for some unknown reason, pianists hate lots of sharps but don’t mind flats. If you’re not sure if it’s hard, ask a friend who plays piano. Also, it’s perfectly acceptable to bring your own accompanist along to play for you – as long as he or she is really good. Don’t bring a mediocre accompanist or one who “fakes” your song just because he’s your friend…
After the Audition
When the cast is announced, don’t be depressed or angry if you weren’t cast or didn’t get the part you wanted. It’s hard to be rejected, but you have to remember that being cast is only partly about how good you are — it’s also about whether or not you are appropriatefor the roles they need to fill. You might be the best actor and/or singer they’ve seen, but if you’re totally inappropriate for the characters they need, they can’t cast you.
And don’t ask the director (or anyone else) why you weren’t cast, unless you really want to know. Some directors won’t like being put on the spot that way; others will be okay with it. But be prepared to take some criticism and don’t argueabout that criticism.
What are the Most Common Mistakes Actors Make at Auditions?
August 22, 2011
They play it safe. They don’t enjoy themselves. And they “act.”
When you walk into a room for an audition, do it like you have nothing to lose. Like you’re on death row and there’s no chance for a pardon and it’s your last opportunity to say what needs to get said. And don’t give two shits what I think. Just assault my senses, my preconceptions, and any expectations I may have regarding the scene’s progression. And please, for God’s sake, don’t show me the shiny surface. That’s what the other 30 actors did before you. Show me what’s underneath the hood. I want to see your intestines. Turn the scene upside down. Shake it loose and let’s see what comes out. Show me the danger and the mystery, so that the moment that’s not anticipated surprises both of us.
And fail all you want. Just fail big. And that doesn’t mean acting big. It means risking big. Because you have nothing to lose. Energize me. Invigorate me. Blind me. Illuminate the piece and the character so I never forget you. So you liberate us. So I sit up and wonder what planet you came from. So when you walk out the door, you feel good about yourself. Not because you’re going to get the part (you’re on death row and the governor won’t pardon you, remember?). But because you imposed your truth on the scene and exalted the character’s individuality and uniqueness to a place of such high altitude that neither one of us will ever forget the flight.
Dallas Richard Hallam Los Angeles; ‘Entrance,’ ‘The Whitest Kids U’Know’ (assistant director)
You can’t hide lack of preparation. It doesn’t matter how talented you are, how good your look is, or even if you seem perfect for the role. Neglecting prep before an audition is a death sentence. Anyone in the room who’s worth a damn will see it immediately. The thing about an audition is that you’re not just auditioning to do this single part; you’re also auditioning to work with these people. And not only does lack of prep lead to a crummy audition, but it says a lot about what you’ll be like to work with later.
Lack of prep leads to a related mistake actors make during auditions: not taking the notes. Now, you can be prepared and still not take notes, but more likely than not, not being able to take a note and run with it has to do with a lack of preparation. Okay, what if you’ve prepped well, you take a swing at the scene, you’re given a note, and it just doesn’t make any sense, or you just don’t understand it? Simple: Try anything else. Doing it wrong but doing it differently is a lot better than doing it the exact same way after being given notes. The director isn’t necessarily giving you a note to see how amazing you can be at doing the scene in this new way. Sometimes the director is simply looking to see what you do with direction, how well you can rethink what you’ve already thought out. I promise it matters less that you run the wrong way, as long as you take a direction and run.
Which leads me back to the critical, unspoken true nature of the audition: You’re auditioning to work with these people. Making a movie is a long, hard process. It’s equally important that you’re great to work with as you’re great at the part.
Mark Kassen, Los Angeles; ‘Puncture,’ ‘Why Not…,’ ‘Slogan’
As an actor-director, the advice the director in me has for all us actors is: Don’t do anything that isn’t about the audition. Meaning, don’t “work me,” don’t “work the room,” don’t try to convince me how great an actor you are by coming in one way and then attempting to transform once you “begin the audition.” The audition began the second you walked into the room, and everything you do that isn’t about the role you are auditioning for (like trying to make me like you) takes me further away from thinking you are right for the role at all.
Don’t get me wrong; I still believe that actors (including myself) can play a multitude of varied characters—however, that’s your business. Don’t try to show us the conversion. When you are auditioning for a role, the people on the other side of that table, including myself, want to believe that you are as close to that character in real life as possible. We don’t have the time or imagination to filter out anything you do in front of us that doesn’t support our need to believe that you walk around the streets of Manhattan every day just like your character.
So save the extra chitchat and cute stories that have nothing to do with the play/movie/TV show you’re reading for. As an actor, when I audition now, I try to do what I want to see as a director when you come in front of me: Be what’s on the page, nothing more—and then get the heck out of there before the director realizes I’m not actually an Eastern European/Welsh/Vietnamese Native American Jew.
Daniel Talbott, New York; Off-Off-Broadway: ‘Squealer,’ ‘The Umbrella Plays,’ ‘Footprint’
I think it’s really hard to make hard-and-fast rules, because every actor is so different and one person’s mistakes may work out really well for someone else. For example, some people do better being totally off book, but other people find it more freeing to play with the script in hand.
The only large “mistake” that jumps into my mind is not bringing authenticity, humor, and vulnerability to the room in every part of what you’re doing. You need to come prepared in whatever way is going to allow you to be the most free and bold you can be, without making excuses (“I didn’t have enough time” or “I didn’t read the play” or “The guy behind the table was being rude”). You may be right—there can be a lot of jerks who don’t respect actors enough—but that’s their loss, and you have to be able to flip any obstacles into brilliance and turn them into fuel for your work. No matter what, you can always choose to be vulnerable and work and share. The biggest and really only “mistake” is letting anything—yourself, someone else, whatever—get in the way of you sharing and exploring your work.
Heidi Grumelot, New York; Off-Off-Broadway: ‘Dido and Aeneas,’ ‘punkrock/lovesong,’ ‘Donnie and the Monsters’
Because I work with many early-career actors, I often see them make mistakes that are easily avoidable. The biggest mistake is to arrive at an audition without thoroughly preparing the requested material. This is particularly true when actors are asked to bring two contrasting monologues. All auditioning actors should have at least two monologues and an extra monologue that can be performed if called on to do so. Look for monologues that really showcase your qualities as an actor.
Being late is another common mistake that can communicate that the actor isn’t reliable or that he or she may not respect the time constraints of others. Similarly, when actors don’t bring their headshots and résumés, they communicate that they might not be very organized. Often, being late or not having a headshot and résumé comes with a lengthy explanation. Unfortunately, this communicates that the actor does not make his or her acting career a priority. Casting directors and directors want to focus on the acting ability and personality of the auditioning actor. They also want to be confident the person they hire for the job will conduct him- or herself professionally.
Two other common mistakes that take the focus away from the actor’s talents and personality are bringing props into the room and dressing up in character. I would also recommend reading up on the difference in appropriate dress for a theater audition as opposed to a film or television audition.
OH NO!!! Mrs. Claus has come down ill!!! Unfortunately, we are cancelling this special event due to these circumstances.
Please spread the word if you were planning to attend, so that we don’t have lots of children waiting to see her. We apologize for any inconvenience this may cause with your schedule.
A Special Two Day event for the kids and adults!
Sol Acting Academy & St. Stephen’s UMC present : Mrs. Claus, Storytelling Experience. Come hear Mrs. Claus tell wonderful tales of joy and experience meeting the “First Lady of Frost” in person. Event includes storytelling, coloring sheets, singing, refreshments, and photos with Mrs. Claus. Bring your letters for Santa and Mrs. Claus will even deliver them for you!
Saturday, December 3 from 2:00-3:00pm And Wednesday, December 14 from 6:00-7:00pm. At St. Stephen’s UMC, 4601 Juan Tabo NE, ABQ, NM 87111.
Children 3 and under are FREE! $5 per person. Payable by cash or check ahead of time or on the day of the event. Please RSVP at 505-206-7707 or info@solacting.com. Storytelling by Susi Wolf, professional storyteller.
A Contest So Awesome…It’s Scary!!
Here at Sol Acting, we love two things: having fun and giving you money! (See why you are friends with us?!)
We are excited to announce our super cool new contest for ALL AGES! All you have to do is post a picture of yourself in your Halloween costume between now and November 4 on our Facebook page http://www.facebook.com/solacting!!
If you are voted “Best Costume” by the staff at Sol Acting, you will get a FREE $20.00 gift card to Toys R Us! It’s a cool prize for all ages, and will be a blast to enter! It only takes a minute to share the joy (or humor!) of your costume with the Sol Family.
So get posting! Contest officially opens today!
This is Laura’s costume from last year!! :)
Click on the link to hear Laura’s interview on Cinema Scope!!
http://dl.dropbox.com/u/5472916/CS%208%2019%2011.mp3
Cinema Scope on KSFR-FM Santa Fe.
Hosted by Stu Goswick.
Produced by Linda McDill.
The 10,000 Hour Rule
I have come across a fascinating discussion on the mastery of one’s skills, and thought it was very applicable to both actors and all business professionals. My father encouraged me to read book called The Outliers by Malcolm Gladwell. It’s a fascinating book and a certain chapter in particular got me very excited.
Is there such a thing as innate talent? The book explains the obvious answer is yes. Achievement is talent plus preparation. But the closer psychologists look back at the careers of the gifted, the smaller the role of innate talent seems to apply and the bigger the role preparation seems to play. In The Outliers, it has been discovered how much time actually correlates to being a success in one’s field…ten thousand hours. “The emerging picture from such studies is that ten thousand hours of practice is required to achieve the level of mastery associated with being a world class expert- in anything”. This is true for any profession- actor, salesman, attorney, criminal, basket ball player, writer, etc.
So, sit down with a calculator and ask yourself- how many hours have you logged? And how far are you from 10,000 hours? Better make a plan, those hours aren’t going to log themselves!
Sol Acting Academy is hiring instructors for all ages, and especially for ages 3-18! Must be high energy, outgoing and creative to lead games, improv, play rehearsal, and more. Candidates must be available to teach classes on Monday-Friday between (but not all) the hours of 1:00pm-6:00pm, and occasional weekend classes. We have year-round classes after school and on weekends with available positions. Prefer teaching experience but Sol Acting will provide extensive training on classes once you are hired. A happy face, punctuality and flexibility ARE required. You must be able to pass a background/fingerprint check, have regular access to the internet, and a reliable car.
If you or someone you know is a fit – let us hear from you by Wednesday, September 28! Interviews will be held over the next week with a mandatory training session occurring on October 5 from 11am to 1pm. Email a cover letter and resume pasted into the body of an email prior to dates listed above to info@solacting.com and put Instructor Position in subject line. Please allow for a fun 30-minute meeting with Laura Mathis if chosen to move forward with interviews.
I can learn a lot of acting tips from my dog. Mind you, I have a very unusual dog. His name is Hoss and he’s a 170-pound Saint Bernard. He is a slobbery, exuberant love machine. He is always very present in the moment…present when eating, present when walking, and present when sleeping. He is no non-sense. He sits on my lap when I watch tv and is not worried if I can’t see around his giant head and body. (I can’t!) But his total commitment to the moment is always inspiring. I try to apply this awareness of being in the present moment to my acting, but with a bit less slobber. WHO inspires YOU to be better?
Here is a picture of Hoss. He comes up to my hip, so I don’t even have to bend over to pet him!
The other day I spoke to a woman who said she felt like she was “too old’ to get into acting. The most wonderful thing about acting here in New Mexico is that the phrase “too____” doesn’t apply! Yes, if we were in LA and a woman in her 40′s wanted to be a Film actor, it might be a bit tough. But there are so many amazing opportunities for every age and shape to be on camera and on stage here in Albuquerque and New Mexico. No one is too fat, skinny, old, young, inexperienced, unconnected, new, nervous, broke, etc! The most important thing to do is just put yourself out there and be ready to not be perfect. We are not aiming for perfection, we are stepping up and playing. And who doesn’t want to play?!
Here's me in a show I co-wrote, directed and starred in while living in Chicago. I am clearly having fun playing!
What’s it like to be an extra – and some tips for first time extra’s
(Compliments of Leslie K Nelson)
1. What to bring: a small chair, IPod, book, cards, portable movie player or anything else to keep yourself from getting too bored during the down time. Within moderation. (They may already have chairs for you.)
2. Be on time! Check in and change into whatever clothes they pick for you. (Unless you are told ahead of time what to wear, then wear that.) Then you wait. If at all possible wear comfortable shoes, it could be a LONG day/night.
3. If you were asked to bring your own clothes, then bring 3-4 outfits. (Unless you were asked to bring more) Do NOT bring RED/WHITE/BLACK unless specifically asked to.
4. Always be ready!! Because when they need you, they needed you 5 minutes ago.
5. Do not expect to be discovered. Upgrades can and do happen but not very often. What’s an upgrade you ask? That’s when they take you, give you a line, or make you a featured extra. A featured extra may or may not get extra pay, but you generally will be seen more.
6. Stand-ins do get paid more. A stand in is a person that “stands in” for the actor when they set lights, cameras, sound. In this job, it is possible to become closer to the crew, actor, etc. They generally treat you a little better too, but don’t get in the way. Be ready when they need you. Time is money.
7. Do not let it bother you that you are treated differently than the main cast. You will generally eat last and sometimes not the same food. Do not eat off the craft services table unless they say it is okay. Sometimes there are different craft service tables (snacks) for extras and one for the main cast/crew.
8. DO NOT TALK TO THE CAST/DIRECTOR. I have seen many extras fired for that. If someone talks to you first then, yes, talk back. Just remember that they are not your new best friend. Some sets are more relaxed than others.
9. Do not cheat out or play up to the camera. This is not theatre.
10. Some actors find being an extra frustrating; after all, you’re an artist too.
11. Only plan on doing extra work a few times, unless you want the money. Being an extra is a great way to really understand what it is like to be on set!
12. NO CAMERAS!!
13. Don’t plan on leaving until they wrap you. They could have put you in a special place and need you later for a closer angle.
14. It can be loads of fun, you can learn a lot, and you can meet WONDERFUL people, but never ever do it thinking you will be discovered.
Most of all HAVE FUN!
My night with Basil Hoffman- AMAZING Hollywood Actor!
I always say, even a coach needs a good coach! I want to always be learning and increasing my skills as both an Instructor and Film Actor. So, when Michael Miller posted that he was bring in Basil Hoffman for an Intensive Acting Workshop, I jumped at the chance to learn from a talented Hollywood Actor.
Basil Hoffman is best known for his work with distinguished film directors, including Peter Bogdanovich, Mario Monicelli, Richard Benjamin, Carl Reiner (twice), Peter Medak (four times) and Alan J. Pakula (twice); Academy Award winners Steven Spielberg, Delbert Mann, Blake Edwards, Stanley Donen, Sydney Pollack, Ron Howard and Robert Redford (twice as director); and many others. His films include: All the President’s Men, Close Encounters of the Third Kind, Ordinary People, and My Favorite Year.
As I performed my monologue, I found myself in a strange state of being nervous but also totally relaxed. It just felt safe, like I was in a room that was filed with patience and honesty and love. Basil was there to help me find the truth. Don’t we all need someone like that sometimes!?
I performed my monologue, and then Basil and I talked briefly, asking me questions to help solidify and break down the script and who I was talking to. I did the piece again, but this time I got to the 9th word, and I was having a huge and totally real emotional response. The tears came from truth, not me forcing it, or “trying” to be upset. I got to the point of emotional discovery in seconds, just from taking the time to explore what the words really meant that I was saying. Basil stopped me and nodded. ” Good”, he said. “You’re done”. I nodded and sat down. Wow.
You know how as actors we can perform an emotional piece in the shower, or while driving, and you get to the point of tears, but the audition comes and you are as cold and detached as a Buddhist monk?! Well, that night I got to where I needed to go as gently and honestly I have ever done…and it felt fantastic.
We are now accepting camp registrations for our NEW HE Heights satellite location!!!!! A HUGE thank you to St. Stephen’s United Methodist Church who is allowing us to utilize their Children’s Worship Center for summer camps! Check out the camps we offering in your neighborhood and watch for details on a NW/Rio Rancho location!
Sol Acting Academy is hiring instructors for all ages, and especially for ages 3-18! Must be high energy, outgoing and creative to lead games, improv, play rehearsal, and more. Candidates must be available to teach classes on Monday-Friday between (but not all) the hours of 8:00am-5:00pm, and occasional weekend classes starting at the end of May until mid-August. We also have year-round classes after school and on weekends with available positions. Prefer teaching experience but Sol Acting will provide extensive training on classes once you are hired. A happy face, punctuality and flexibility ARE required. You must be able to pass a background/fingerprint check, have regular access to the internet, and a reliable car.
If you or someone you know is a fit – let us hear from you soon! Interviews will be held Wednesday May 4, Thursday May 5 and Friday May 6. Email a cover letter and resume pasted into the body of an email prior to dates listed above to info@solacting.com and put Instructor Position in subject line. Please allow for a fun 30-minute meeting with Laura Mathis if chosen to move forward with interviews.
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Sol Acting Academy
505-206-7707
Sol Acting Academy is hiring! Sol Acting Academy is a fun and supportive acting school that offers instruction in Theatre and Film Acting from a beginner to professional level for kids and adults of all ages, and at every level of development. Whether you want to offer your child the opportunity to develop communication skills and self confidence, or you are an Adult interested in breaking into the exciting world as a performer in New Mexico or anywhere in North America, Sol Acting Academy has what you are looking for. Voted Best Classes in ABQ, this is an exciting, creative and fulfilling opportunity for the perfect candidate. We are currently hiring for 2 different positions, but an ideal candidate will be able to fill both roles simultaneously.
Departments with Available Positions:
Assistant to the President and After School Programming Manager
Reports to
President/Owner- Laura Mathis
Overall responsibility
Responsible for day to day Administrative tasks and Managing the After School Program with Sales Based Commission
Administration Position- Key areas of responsibility
- Maintain established communication/administration procedures
- Sort and respond to email, mail and phone inquiries
- Stock and Maintain Office and Studio Supplies
- Update website and social media with new classes and updates
- Keep studio organized and clean, and prepare the space for class every week
- Payroll , Invoicing and Filing
- Data Entry into Registration and Newsletter computer programs
- Send reminder emails about lessons or meetings
Consults with
- Social Media Manager
- All levels of management
Term of employment
Trial Period of up to 2 months, then 10 hours a week, with possibility of a Full time position
Qualifications
- Strong sense of customer service and ability to communicate information in a clear and helpful way
- Good organizational skills and passion for Arts Programming
- Ability to problem solve and work independently
- Positive and warm personality, both in person, on phone and via email
- A reliable car and ability to pass a fingerprint /background check
- Extremely competent on computer, and proficient with Microsoft Word, Excel, Publisher and Outlook, with preferred experience on Word Press also
- Excellent grammar and speaking skills, both via email and in person
Manager of After School Programming- Commission Based- Key areas of responsibility
- Maintain established communication/administration procedures with current and new schools
- Sort and respond to email, mail and phone inquiries
- Commission based income- Receive percentage of each sale for every student registered in After School Program
- Update website and social media with new classes and updates
- Meet with teachers and principals, attend occasional Informational nights, fill in required paperwork
- Assign teachers for each new After School program and confirm the paperwork and back ground checks are in order
- Send email communications to parents about the class
Consults with
- Social Media Manager
- School Principles and Administrators
- All levels of management
Term of employment
Trial Period of up to 2 months beginning August 2011, then if preferred, able to work remotely/from home to complete tasks every week during the school year
Qualifications
- Strong sense of customer service and ability to communicate information in a clear and helpful way
- Past sales experience in customer service driven field
- Good organizational skills and passion for Arts Programming
- Ability to problem solve and work independently
- Positive and warm personality, both in person, on phone and via email
- A reliable car and ability to pass a fingerprint /background check
- Extremely competent on computer, and proficient with Microsoft Word and Outlook, with preferred experience in Word Press
The Administrative Assistant to the President position will occur at our offices in Nob Hill, and will consist of 10 hours a week. The hours worked every week will be pre set but are flexible in terms of your current availability. The pay is $13.00 per hour. There is opportunity for increased hours in the summer months, and going forward , for the right candidate.
The Commission based After School Program Manager is commission based, receiving a percentage of each sale. More information on the commission percentage will be explained if an interview is granted. This position can be done remotely from your home on your own time, or you are welcome to complete these tasks at the office as well. There is opportunity to make on average $100- $250 per every Program/ Class booked, with no limit on how many schools you can contact, either Private or APS, at any grade level.
For both positions, there is tremendous opportunity for advancement within the company, so we are looking for someone who is willing to commit to the position in a long term capacity. Please do not submit for these positions if you plan to relocate out of Albuquerque in the next year. We are growing a Team of Excellence, and we want you to have the same passion that we do for Arts Programming.
To Submit for these Positions:
Please follow the Instructions carefully, or your application will not be processed. The deadline for submission is February 4, 2011. We are looking to fill this position by February 18, 2011, to start immediately.
Paste your current resume in to the body of an email, to info@solacting.com. In the subject line, please write “Administration and After School Programming Manager”. Include a cover letter also pasted into the email that states
1) why you feel you are an excellent candidate for this position.
2) What skills and attributes you will bring to Sol Acting Academy
3) What is most interesting to you about our current programming
4) Whether you feel you are qualified for both positions, or one in particular, and why
If selected, applicants will be contacted for an interview. Please do not contact Sol Acting Academy. We look forward to hearing from you!
Valentine’s Day is around the corner, and if you are like most Adults, it’s hard to find time to take a breath, never mind plan a romantic night out, and book the expensive sitter, and all the details of a night out! Sol Acting Academy is offering an amazing night out for parents, so you can leave the child care up to us!
For only $5.00, ( yup, you read that right, 5 bucks, no tax) we will entertain your child for 90 minutes with an amazing yet demonstrative Magic show, which will be taught, then explained by Wayne Hicks, Manager of The Magic and Juggling Shop in Nob Hill, and after that, fun Comedy games taught by the Owner of Sol Acting Academy, Laura Mathis. Park for free in Nob Hill, grab dinner at one of the fantastic restaurants in Nob Hill on Central, (plus, you will have missed the crowds by going AFTER Feb 14, smart!) and find that lost lovin’ feeling again for your partner! For $5,00, you can’t go wrong, and your child will be smiling ear to ear when you pick them up!
It’s a special way for us the thank you, our friends and clients. We appreciate you! This special offer is open to anyone, even if you have never taken a class with us before.
DATE and TIME- Wednesday Feb 16 from 6: 30- 8 pm. Magic show starts at 6: 40 sharp!
AGES- This Event is open to kids aged 7- 17, but adults are welcome to stay and watch if you also enjoy magic shows and to learn how the tricks are actually done! And no, you don’t have to have a child to join us! Just bring the child in you! We will only charge $5.00 per child or per family.
LOCATION- Sol Acting Academy Studio- 127 Bryn Mawr SE Albuquerque NM 87106. Lots of free parking
The magic show will feature both demonstrations AND teaching of simple yet amazing tricks that your child will love. Plus, super fun Acting and Drama Games! So, hurry, register today, because space is limited!
HOW DO I REGISTER FOR THIS AWESOME VALENTINES WEEK DEAL?
Simply email info@solacting.com , and put “Valentine’s day” in the subject line. Include in the email your name, and your Childs name and age. You will then receive an email with all the info , and your space is reserved! Payment of $5.00 is made at the door. Cash only please, and the exact amount at the door is appreciated so we don’t have to make change and miss all the fun!
For more info on the Magic and Juggling Shop, go to http://www.magicandjuggling.com/
Heres a great summary of Set Etiquette from Georgenea Galaviz. This is based on being an Extra in a Music video, but it all applies to being an Extra on a film set as well. Enjoy! Thanks, G! Great stuff.
Please take a few minutes to read through this helpful guide to Set Etiquette:
1. Listen and follow directions at all times.
2. Bring a pen and small pocket note pad to write any information you may need to remember at a later time.
3. Bring proper identification with you to the assignment, (i.e. driver’s license, state identification).
4. Arrive at the location at least 20 minutes prior to your call time, (Note: You must provide your own transportation).
5. Always call if you will be late or are unable to attend an assignment. (Note: Do not wait until the last minute).
6. Never bring cameras, alcohol/drugs, or family and friends on an assignment. (Some sets do allow personal photography, always ask previous to showing up with a camera.
7 Bring snack type items in a small back pack or purse in case meals are not provided.
8. Check in with the appropriate person as instructed.
9. Bring all props previously assigned. Take care of props issued to you on the assignment. (Wardrobe)
10. Do not touch any equipment you have not been previously authorized to touch.
11. Always check in with your casting director on the eve of your assignment, between 1900-2200 (7:00 p.m.-10:00 p.m.) to verify location, directions and call times.
12. Even if you are only going to the restroom, ensure that someone knows where you are heading. Normally, a “PA” (Production Assistant) will be in charge of keeping up with all of the extras
SET TERMS AND DEFINITIONS:
1. “Action” – The camera is rolling. Everyone must be in their assigned spots and doing what is instructed to them.
2. “Background” – Extras must be in their assigned spots and doing what is instructed to them.
3. “Back to One” – Return to your starting position for shot.
4. “Blocking” – Preplanned movement in a scene.
5. “Call Time” – The time you are required to be on the set.
6. “Continuity” – Doing everything exactly as it was done in the previous take.
7. “Cut” – Stop all action.
8. “Extras” – Paid / non-paid actors.
9. “Flashing” – This is said, only when the film/videotape is not running and someone is using their flash photography to take photos. It helps everyone to know that none of the various light bulbs have blown, it was only you taking a photograph.
10. “Quiet On The Set” – All voices quiet.
“Places” or “Places everyone” – This means that were ever you are assigned to be, please head immediately and quietly to that spot and await further instructions.
11. “Speed/Rolling” – Film is moving.
CELL PHONES:
a. turn it off at all productions as you can cost a great deal of distractions on the set;
b. find somewhere private to take your calls when you are off the set. No one else is as interested to hear about your call than you are, so that will keep people out of your business.
c. rechargers: if you are a producer, director, or whatever position, the entire crew is counting on being able to reach you and you must have an ability to recharge from your lighter plugs; from 120 VDC, etc.
d. extra batteries: even if you have a recharger, it can be helpful to keep your phone on VIBRATE in your pocket, but then have the extra battery charging up in the wall socket. These methods will allow your team to reach you.
e. clear your messages: you might as well not have a cell phone or a message center if you fail to clear out your older messages.
f. be aware that some productions will not allow your phone onto the set for many liability reasons such as you taking photos of actors; for you taking photos of a copyrighted movie set; of you taking any photos deemed to be inappropriate, etc. Do not be shocked if you are restricted from having your cellphone/camera on the set! It also benefits you if others do not have theirs with them too.
ON THE SET SAFETY TIPS:
Safety is of the utmost importance during production. All of the following rules must be followed at all times!
1. Report any unsafe conditions to the nearest production member.
2. Do not touch any piece of equipment not previously authorized by production personnel.
3. Do not report to a set ill. Call the casting director and advise them of your situation/condition.
4. Report all accidents that occur on the set and see emergency medical attention.
5. Any talent with an existing medical condition must submit a medical release from a physician. (i.e. heart conditions, expectant mothers, certain orthopedic conditions).
6. Use good common sense and judgment throughout the assignment.
FIRE:
In case of a fire on the set, remain calm and locate the closest exit. Move quickly but try to avoid pushing or running. Remember you have a much better chance of avoiding injury if you are able to remain calm and react rationally. If the fire takes place out of doors vacate to a safe place away from the flames and listen for instructions. Always being aware of the location of exits and fire safety equipment can help in case of an emergency.
The first time you read a call for extras in a location you can actually get to, allow yourself to be excited but then take a moment to think about whether this is something you can really take the time to do. There are some factors you should contemplate before committing.
1. Do you have the time? If the arrival time is 8 am, you should probably be there at 7. If they tell you the shoot should last until 5 pm, be prepared to stay until 8. If they tell you the shoot is on Saturday, would you be able to return on Sunday if they need to do any re-shoots?
2. Did they tell you ahead of time that you would be paid? If not, then don’t expect it. If you are happy just getting a behind-the-scenes look, then be content with that and don’t expect a paycheck at the end of the day.
3. Are you fine with the idea of standing around all day? You could wait around for six hours and only be used for 30 minutes. That’s just how it goes. You have to be patient but willing to work the minute the director calls for you.
If you’re okay with all of that, then you can make the decision to sign up as an extra, or simply show up if that is what the casting call says. When you arrive, make sure to bring a valid ID with you. Some casting calls require that you be within a certain age range. It would also be smart to pack a few snacks and maybe some water to bring along with you. It’s going to be a long day and the extras are at the bottom of the totem pole.
It’s important to follow the instructions on the casting call sheet precisely. This increases your chance of actually being used in a shot while on set. Remember, just because you show up doesn’t mean they have to use you. If the call sheet asks that you wear cocktail attire, you better not show up in jeans and a t-shirt. It would also be wise to have a pair of comfy shoes on set with you — you could be standing for hours on end.
Once you are on set, act professionally. Don’t act like a member of the paparazzi and start flashing your camera at the band or any possible celebrities on set. This is tacky and totally taboo. Sometimes the band will stick around at the end of the shoot to do a meet and greet, so don’t bother them while they are working. They will come and talk to you if they feel up to it.
If you are chosen to be an extra in a shot, remember you are the extra, not the star. Don’t do anything distracting on screen because you will simply be wasting time and money. The director will tell you if he is looking for anything specific. The number one rule of acting is never look directly into the camera unless the director tells you to!
Following the guidelines above will allow you to do your small part in helping the shoot run smoothly. My friends and I viewed our experience as an adventure, but we made sure to leave a good impression. We showered and tried to look very nice when we arrived. We only talked to the director and the band when they approached us and this left a good impression on them. The other extras, who looked like they woke up and just rolled out of bed, were not used in some of the shots and did not get asked to come back the next day.
Being an extra can be an extremely fun experience and, if handled professionally, can leave you with some great memories. Then the next time you your project playing , you can think to yourself, “Hey, I was there for that”
Congratulations to Lisa Johnson!
Our winner of this contest. She won the Golden Tix to ABQ THE MAG’S Best of the City Party at the Hard Rock Hotel and Casino this Wednesday! Thank you for your kind words below and please contact Laura Mathis at Sol Acting Academy within 24 hours of this post for your prize!
Sol Acting Academy’s phone number is
505-206-7707
“I appreciate Sol’s school break camps for kids. Since he was a toddler, my son has been more interested in performing than producing. The small groups give my kid the attention he needs and the instructors have used their talents and skills to redirect my son’s energy into his creativity instead of less productive behaviors. My favorite camp so far has been the first he attended, Improvisation Camp for kids. I loved the performance at the end showing off all of the fun they had during the week. I recommend these classes to my friends who have kids as a resource for fun and creativity when school is not in session.” Lisa Johnson
We have 4 Golden Tickets to Albuquerque The Magazine’s Best of the City Party normally priced at $50 each, for the price of $20 at the door. Meet the winners of the Best of the City at this party. This will be an amazing night with spectacular food, drinks, people, places and things!
Click our Contest Page Here to read how to win these tix!
GOOD LUCK! 
- Laura
Heidi Swedberg and Laura Mathis rocking out!
I may be the worlds worst musician..and that’s okay! I still love to play anything I can get my hands on, and often noodle with the harmonica, banjo, and other random toys. So when Heidi Swedberg ( most known for her role of Susan in Seinfeld) approached me to offer a Ukulele workshop at Sol, I was thrilled! ( On a “Small World” side note, Elaine Pope ( my Aunt) was a writer on Seinfeld for many seasons, and Heidi knows Elaine!) Anyway, we had over 20 people show up, our youngest student was around 5 months old, oldest around 60 years old. Within moments , we were all playing real songs on the Ukulele! It was really a blast, and I enjoyed being a student for a change instead of the Instructor. I think its important to make time to be a student. And guess what? This morning, in my hammock, with my dog Hoss, I played Kookabura, by heart, and it actually sounded really good!! Heidi is a teacher from my own heart, passionate, funny, and very supportive. If you missed the workshop, Heidi will be back in October, so keep checking the website! Play on!
HEY FRIENDS AND FANS OF SOL- Please vote for Sol Acting Academy in Albuquerque the Magazine’s “Best of the City” Awards! Just follow this link: http://www.abqthemag.com/bestofsurvey2010a.php and type in Sol Acting Academy for “Best Kids Classes” and “Best Summer Camp.” Also, for “Best Category We Left Out” please write in: “Best Acting Coach: Laura Mathis”. Its fun to do and super easy! If Sol Acting wins in any of the catagories, we will have a POOL PARTY with food and refreshments for anyone who voted for us! Awesome!
Attention Improvers!!!
Sol Acting Academy is seeking experienced improvisation performers and will be holding auditions on July 23 and 24, 2010. Please respond if interested in performing in improv shows along with other talented actors. The group will be performing short-form, “Whose Line is it Anyway” type games in its shows, and those wanting to audition should at least be familiar with this style of improv. Must be 21 or older to audition.
To reserve an audition time, contact Sol Acting Academy at: info@solacting.com, and type Improv Auditions in the Subject Line. Audition times are Fri July 23 from 2 pm- 6 pm, and Sat July 24 from
11 am – 3 pm. Audition will consist of group auditions playing various games and exercises. Please state in your email
1) Your full name
2) Your email address and phone number
3) The day you wish to audition, or you can state “ either day” if you are open both days
Please do not call Sol Acting Academy to book your audition. Your email will be returned with your booked audition time, studio location, and all necessary information. We ask that all Improvisers please bring a headshot (or updated photo) and an actor’s resume to the audition.
Sol Acting Academy will be featured on 770KKOB this Saturday morning, May 15, with all the info on our upcoming FREE 3 Silliest Faces in 3 Seconds contest to win a Summer Acting Camp, valued up to $300! Listen live, or listen by clicking on www.770KKOB.com. We are set to go on from approximately 8: 19 am- 8: 29 am, so tune in around 8: 1o or so!
Sol Acting Academy of Albuquerque, New Mexico presents,
3 Silliest Faces in 3 Seconds Contest!
Contest
Start Date: Wednesday, 5-5-10
End Date: Friday, 5-28-10
Open: Ages 3-18, Parents are responsible for entering their children under 13.
Who: Albuquerque, NM locals
Winner: The video with the most views by the end of the contest will be the winner. Multiple views by the same person IS permitted. Be sure to send the link to your video to all of your friends and family and tell them to watch so that you will win!
Prize: Summer Acting Camp at Sol Acting Academy valued at up to $300.
——————————————————
How to Enter
1.Watch “Laura’s 3 Silliest Faces in 3 Seconds” on www.youtube.com/solacting .
2. Upload your 3 Silliest Faces in 3 Seconds video to your YouTube account. Videos should not be longer than 10 seconds and your 3 silliest faces should be made in as close to 3 seconds as possible.
3. Title your video using your “FIRST NAME” ONLY, followed by “Sol Acting Academy 3 Silliest Faces in 3 Seconds”. See Laura’s video on the Sol Acting Academy Channel at www.youtube.com/solacting for an example.
4. Visit the Sol Acting Academy Channel at http://www.youtube.com/solacting and click the yellow subscribe button.
5. Send Sol Acting a message from your YouTube account that includes the entrant’s:
*Full Name
*Phone Number
*Email
*Age
*Attach your “3 Silliest Faces in 3 Seconds Video”
* Send Sol Acting Academy your message
6. Share your video with your friends and family! The video with the most views by the end of the contest will win! Multiple views by the same person IS permitted.
7. Received videos will be uploaded regularly and listed on the Sol Acting Academy Channel at www.youtube.com/solacting under the Playlist, “3 Silliest Faces in 3 Seconds.”
8. The winning video will be revealed on homepage Sol Acting Academy’s Channel Saturday, 5-29-10. Winner will be notified the same day by Laura Mathis using the contact information you sent when submitting your video.
*Need help creating an account, uploading your video on YouTube and sending your message? Go to
http://www.google.com/support/youtube/bin/topic.py?topic=16546
Sol Acting Academy was voted “ Best Acting Classes” in the Alibi’s Best of Burque 2010 issue! Thank you so much fans and friends! We are thrilled about our upcoming classes, and will continue to offer you innovative, fun, and valuable creative experiences. Yipee! Thank you to all who voted!
PARTY at the SOURCE
April 24th1-6PM
1111 Carlisle Blvd SE, ABQ, NM 87106
PERFORMANCES
GAMES
FACE PAINTING
KARAOKE
PRIZES
The first 50 guests will receive $10 off a future Private Lesson!
Just another day on set, hanging out with Bill Murray and Mickey Rourke! Yup, that’s right. I was on set on Monday, and was cast as a Waitress in Passion Play, starring Bill Murray, Mickey Rourke and Megan Fox. I truly felt honored to be with Bill Murray and Mickey Rourke as their waitress in the scene we were shooting, and was able to chit chat with Bill in between takes. He is hilarious! What a great cast and crew on Passion Play! It was amazing to listen to Mickey and Billy shape and improvise the scene, and make it their own. The production plans to wrap this week, and I hope we see more of this A List talent here in Albuquerque in the future!
Energetic Teacher Sol Acting Academy Albuquerque, NM
Must be high energy, outgoing and creative to lead games, improv, play rehearsal, and more. Candidates must be available to teach classes between (but not all) the hours of Mon-Fri 2:30-5:30pm. Opportunity for longer hours for Summer classes are there for the right fit. Prefer teaching experience but Sol Acting will provide extensive training on classes once you are hired. A happy face, punctuality and flexibility ARE required. You must be able to pass a background/fingerprint check.
If you or someone you know is a fit – let us hear from you. Interviews start Tuesday, Jan 12th, Saturday, Jan 16th and Sunday, January 17th. Email prior to dates please and allow for a fun 30 minute meeting with Laura.
Follow us on Facebook and Twitter! Sol Acting Academy and @solacting
Sol Acting Academy
Laura Mathis
505-206-7707
Laura Mathis, Owner of Sol Acting Academy, was voted ” Best Acting Coach” in Albuquerque the Magazines “Best of the City” Awards! Thank you to everyone who voted!
Also, there is still room in our Winter Break Acting camp for ages 6-11…Join the fun and enroll now! The kids will have a blast!
Come join us for a super fun FREE Dress up Event, Sunday, October 25th 2009 2 p.m. to 5 p.m. at Hinkle Family Fun Center
SOL ACTING ACADEMY is “Dressing Up and Playing the Part” at this year’s 10th Annual Hinkle Family Fun Center Fall Festival where any kid in a costume gets free admission to the Fun Center.
Catch Laura as The Queen of Hearts and her cohort, The 6 Foot High Giant Cockroach, at Hinkle Family Fun Center from 2 p.m. to 5 p.m. Sol Acting Academy will have a booth on the miniature golf course to hand out candy and have kids participate in a GRAND PRIZE drawing for a FREE Four Day Winter Break Acting Camp (valued at $200)! Winter Break Acting Camp starts on December 28th. Additional drawings are for 50% off a private acting lesson that can include teaching you how to audition and get the part for film, theatre and more!
SOL ACTING ACADEMY was founded in 2009 and is taught by successful writer, actor and director, Laura Mathis. Laura, who was the star of television series “Distant Roads,” has been in numerous commercials and award winning films, and has done extensive voice-over work for Yahoo and Whole Foods.
For more information on Sol Acting Academy, please contact Laura Mathis at 505-206-7707.
There are still spots left in our Fall classes!! Popluar favorites so far seem to be Imagination for the Sol and Little Broadway ( classes for kids 3-6 ) that use songs, costumes, dance and stories to be creative and work and play with other creative kids!
Our Drama and Spanish class for ages 4-8 also proves to be amazing class, and so valuable for kids!!
For our Fans on the West side, we have two great classes at the Taylor Ranch Community Center, on Tuesdays and Thursdays. These are discounted classes, as they are shorter in length. What a great excuse to get involved and sign up!
Harwood will also host two neat classes for both 3-6 and 12-18…a great space for great classes. Drop the kids off and relax in Old Town!
We are also offering amazing classes for teens on Saturdays and Sundays at Healing Gate, in Nob Hill.
And finally, Adults have heard the buzz about Sol Acting Academys Acting 101 for Film, and the class is filling! Learn all the basics, and be ready to have a blast on camera and fill up your creative side!
All of the above classes currently still have openings….enroll now to reserve your spot!
Please take the time to vote for Sol Acting Academy for the Best of Albuquerque in the categories of:
Best Classes for Kids
and
Best Summer Camp
And vote for Laura Mathis as best business owner in Albuquerque!
Just follow the link below and fill in the form:
THE FILLING STATION
presents
Summer
SOL-O FEST
8 hot solo pieces performed over 1 cool weekend
at
The Filling Station, 1024 4th St. SW
July 25th & 26th at 2pm & 6pm
$10/show – $18/festival pass –air conditioning included!
Reservations: (505) 243-0596
For program schedules, visit: www.fillingstationabq.com
I will be performing in Program 1, which is Saturday July 25 at 2 pm, and Sunday July 26 at 6 pm. I will be performing a musical Parody song, in the most ridiculous cowgirl outfit my mind could imagine. You gotta see it to believe it! If you truly want to help support local artists, you can print this page, and write “Laura” on it. Every person that arrives with a flyer with my name on it helps save the world ( well, okay, it helps me add to my costumes, facepaints, camera equipment, and all the good stuff that makes a successful Acting School get bigger and better every day! ) Hope to see y’all there!!
Many people ask me about Extra Work- How to find it, what kind of past experience do you need, and what to expect on set. Stay tuned for a great class in the fall about Extra Work, but in the meantime, here are some suggestions:
1) Even if you don’t have much ( or any!) past experience on camera, go ahead and create an actors resume. Also, if you just can’t afford professional headshots, or don’t plan on investing much money into acting, have someone take a close up picture of you. A headshot and resume are very valuable to an Extra Casting Agency, or at an Open Call for Extra’s.
2) Get a wardrobe together. Often, when called to set, you will be asked to supply a lot of wardrobe choices. Be sure to stick to muted jewel tones, unless you are told otherwise. In general, stay away from white, busy patterns, bright colors and logos. Be sure your clothes are clean, pressed, and you have lots of options!
3) Know where you are going ahead of time. You will need plenty of time to park, catch a shuttle to Extras Holding, and check in with your contact for the day. Plan to be at least 15 minutes early!
4) Listen carefully. Be on your best behaviour. If you ever need to run to the bathroom, be sure to tell your contact for the day. It never fails…the second you think you have time to run to the bathroom, its always time to shoot!
5) Have fun! Bring business cards to keep in contact with other Actors. A day on set is a great way to network, and chat with other Extras about the Biz!
For more info on Film Acting, stay tuned for our Fall lineup of On Camera Classes, like How to be the Perfect Extra, Audition Technique for the Camera, and Film Acting Technique for Commercials.
I am proud to say I am currently teaching Drama and Acting classes for two very cool local communites in Albuquerque this summer- La Petite Academy and the First Baptist Church of Albuquerque! They both understand how valuable Drama is for kids, and the power of Imaginative Play and Creative Exploration. If you know of any organizations that you belong to that would like me to swing by for a Drama Workshop, let me know! I am thrilled to get to know the community, and work together to offer kids a chance to get up on their feet and play! A basic example of the activities we offer can range from hilarious Improvisation Comedy games, working with plays and Real movie scripts, using silly giant props, face painting, balloon animals, magic tricks, singing and dancing, and taping our very own commercials and watching how awesome we look on camera! I am especially excited about the Magic Tricks…this is a new addition to my already very random skills set! This week I am teaching myself 1) How to Turn a deck of cards into the same suit and number 2) How to make a ball shoot through solid cups 3) How to make coins appear and disappear 4) How to transform a penny into a dime. This is my homework for this week. Have I mentioned lately how much I love my job?!
Check out this great article written about Sol Acting Academy’s founder, Laura Mathis and her experiences on Canadian television.
There is also a very cute picture of Laura’s Saint Bernard puppy, Hoss!
Albuquerque The Magazine Article
Let your Sol Shine!!!
Sol Acting Academy Invites you to their Grand Opening!
May 28, 2009
Brand new Acting and Drama School Opening in Albuquerque! Give your kids something fun and creative to do this summer. Sol Acting Academy is a fun, supportive Acting School for kids ages 3-18. Drama gives kids the chance to develop self esteem , public speaking skills, and have a blast being the Star of the Show! Weekly acting camps in Stage Acting, Acting for Movies and Commercials, Improvisation and Comedy Writing. The camps are taught by energetic, highly trained and caring teachers that inspire your child to let their creative and dramatic side out to play!
Please join us as our guest at our studio for the Ribbon Cutting Ceremony on Thursday May 28 at Healing Gate, 3212 Monte Vista Blvd ( a few blocks from UNM) from 5:30-7:30 pm. Come by to meet the teachers, play some games, and enjoy complementary snacks and refreshments. Let your Sol Shine this summer! For more info on Sol Acting Academy, log on to www.solacting.com, or call (505) 206 7707.
Also, we are in full swing for summer camp registrations! For those of you who have already signed up in the past, or for this summer, THANK YOU! We can’t wait to get started and have a great time exploring Drama, Acting, Games and Laughter! For those of you who are new to Sol Acting Academy, we offer a wide variety of classes for Kids ages 3- 18, Adult Acting Classes, and Private Lessons.
Please swing by the Ribbon Cutting to say hello, and be a part of this wonderful world of Drama and Creative Expression!
We look forward to seeing you this summer!
Laura Mathis
